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Vita

3/10/2024	Habilitation at the University of Vienna, Department of Musicology; Book: Loci communes and tablatures in the 16th century in German-speaking area
since 1/3/2023	Head of the digital edition project E-LAUTE: Electronic Linked Annotated Unified Tablature Edition – The Lute in the German-Speaking Area 1450–1550 (FWF, DFG, SNF)
since 1/12/2022	Senior Scientist (permanent position) at the University of Vienna, Department of Musicology
since 1/10/2016	Research staff at the University of Vienna, Department of Musicology: FWF-Projects (postdoc-position, head of projects), see projects
2018	Research Project of Alexander von Humboldt Foundation (Germany), Institute of Musicology, Hochschule für Musik und Theater "Felix Mendelssohn Bartholdy" Leipzig (head of project)
Apr. 2015–Sept. 2016	Freelance musicologist and musician / keyboard instruments (focus on music of the 15th–18th centuries)
Dec. 2013–Dec. 2014	Family time
2010–2016	Work with the cathedral choir and orchestra (Naumburg, Germany): basso continuo / piano, harpsichord, organ
Oct. 2010–Sept. 2013	Project collaborator in the DFG-project: History of Science and Politics of the past. Musicology in Research and Teaching in early post-war Germany, Hochschule für Musik und Darstellende Kunst Mannheim, Germany
2008–2017	Part-time Lecturer, Hochschule für Musik and Theater „Felix Mendelssohn Bartholdy“ Leipzig, Germany
Oct. 2008–Sept. 2010	Research Postdoc-Fellowship of the Alexander von Humboldt Foundation at the Hochschule für Musik und Theater „Felix Mendelssohn Bartholdy“ Leipzig, Germany
31/10/2007	PhD (C.Sc.) at the I.-P.-Kotljarevski State University of Arts Charkiw, Ukraine; Dissertation: Fantasy for Lute in the 16th century: Origin of the genre
Jun. 2006–Oct. 2006	PhD scholarship at the Hochschule für Musik und Theater „Felix Mendelssohn Bartholdy“ Leipzig, Germany (funded by the German Academic Exchange Association, DAAD)
2004–2008	PhD student of Music Theory and part-time Lecturer at the I.-P.-Kotljarevski State University of Arts Charkiw, Ukraine
1998–2003	Studies of music theory and musicology at the I.-P.-Kotljarevski State University of Arts Charkiw, Ukraine (Master)
1994–1998	Studies Piano, Harpsichord and Music pedagogy at the College of Music, University of Charkiw, Ukraine (Diploma)
1979	born in Kharkiv (Ukraine)

Scholarships and awards

Research Postdoc-Fellowship of the Alexander von Humboldt Foundation (Germany).
Research Postdoc-Fellowship of the Gerda Henkel Foundation (Germany), granted in 2008; not accepted because of grant of the Alexander von Humboldt Foundation at the same time.
PhD scholarship German Academic Exchange Association (DAAD, Germany)

Projects

Current research projects

PI: WEAVE-Project E-LAUTE: Electronic Linked Annotated Unified Tablature Editio (FWF, DFG, SNF) – The Lute in the German-Speaking Area 1450–1550 , 1/3/2023–30/11/2026; editorial platform at the National Austrian Library is here, other outputs, include. publications see here.

Research focus: MEI in German lute tablature: new interdisciplinary editorial practices. A complete edition of the corpus of lute tablatures in the German-speaking area 1450–1550, including their historical-contextual, source-critical, and cultural-sociological research.

Co-PI: EU/Smart Loire Valley Programme: LE STUDIUM Research Consortium award 'Tablature and Technology for Tomorrow', in collaboration with the Centre d'Études Supérieures de la Renaissance (CESR, Tours, France), the International Musicological Society’s Study Group Tablature in Western Music, and the Academic Centre for Digital Musicology (University of Wrocław); 2026–2028.

Research focus: Coordination of tablature resources for different instruments within a digital framework, utilising Linked Data technologies to coordinate communication between legacy and current catalogues, databases, and new systems. New strategies in global and specialised digital materials research.

Research Partner: Musician Networks in the Early Modern University, Consortium University of Leuven, Belgium; Programme: Global Seed Fund, GSF/26/012, 2026–2028.

Research focus: Doctoral network for the research of 16th-century music in a broad cultural context – one of the core focus areas is: networks of individuals within 16th-century university cultures in the European and British areas, and the significance of these networks for musical practice, education, and transmission.

PI (Cooperation of Schola Cantorum Basiliensis / Schwitzerland and the University of Vienna): Ein Unikat: D-LEm I.8°191 – eine mitteldeutsche Harfentabulatur aus der Zeit um 1540. Forschung und Edition. Publication at the Research platfom of Schola Cantorum Basiliensis (2023–2026).

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Finished research projects

PI: FWF-Projekt (Elise Richter, DOI: 10.55776/V661): Solistische Instrumentalmusik im mitteleuropäischen Kulturraum (ca. 1500 – ca. 1550): instrumentale Praxis und humanistische Kontexte (Soloistic Instrumental Music in the Central European Cultural Region (c. 1500–c. 1550): Instrumental Practice and Humanistic Contexts, 2019–2025, University of Vienna, Department of Musicology; outcomes: Book (published 2025, open access)
PI: incl. Top-up funding for the aforementioned Richter project within the framework of the FWF programme 'Crisis Support for Researchers from Ukraine' (for an IT staff member); duration: 1 June 2022 – 28 February 2023.

Research focus: instrumental music and humanistic literature, instrumental music and humanistic education, loci communes practices and improvisation, poetic and socio-cultural spaces of instrumental music.

PI: FWF-Project (Lise Meitner, DOI: 10.55776/M2062): Solistische Instrumentalmusik des 16. Jahrhunderts im süddeutschen Kulturraum; (16th-Century Soloistic Instrumental Music in the South German Cultural Region), University of Vienna, Department of Musicology, 2016–2019.

Research focus: Sketches and reconstructions of instrumental music from the manuscripts of the South German region, genuine instrumental composition in the context of the media change (manuscript – print), practical-didactic contexts.

PI: Project of Alexander von Humboldt Foundation: An unknown tablature from the collection of Carl Ferdinand Becker (1804 – 1877): two urban musical cultures in dialogue (Eine unbekannte Tabulatur aus der Sammlung von Carl Ferdinand Becker (1804–1877): zwei bürgerliche Musikkulturen im Dialog), Institute of Musicology, Hochschule für Musik und Theater Leipzig, Germany 1/10/2018 – 31/12/2018; outcomes – see pubications.

Research focus: Keyboard tablatures in Central Germany around 1550: tradition, paleography and function; the reception instrumental music of 16th century in the 19th century (Becker). The new discovered German harp tablature from the mid. of the 16th-century.

PI: Project of Alexander von Humboldt Foundation: Instrumental Genres from the 14th to the 16th-Centuries: Improvisation – Style – Genre, Hochschule für Musik und Theater „Felix Mendelssohn Bartholdy“ Leipzig, Germany, 1/10/2008 – 30/9/2010.

Research focus: Concepts of style and genre in the reception of music before 1600, analytical methods.

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Finished teaching projects

Music in the East, summer semester 2014 – summer semester 2015, Institute of Musicology, Hochschule für Musik und Theater Leipzig, Germany (conception and realisation).
Music of the Middle Ages and the Renaissance Today, winter semester 2004/2005 – summer semester 2006, State I.-P.-Kotljarevski University of Arts, Charkiw, Ukraine (conception and realisation).

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Collaborations in finished research projects

DFG project: History of Science and Politics of the past. Musicology in Research and Teaching in early post-war Germany, Hochschule für Musik und Darstellende Kunst Mannheim, Germany, research staff (2010 – 2013) DFG-Webpage

Research focus: Methods of musicology at the universities of the former GDR and politics, persons and fates.

Publications

NEW printed and accepted publications 2025–2026 (* peer reviewed)

Books

* Kateryna Schöning, Loci communes und Tabulaturen des 16. Jahrhunderts im deutschsprachigen Raum, ed. by Birgit Lodes, Vienna: Hollitzer 2025 (Wiener Forum für ältere Musikgeschichte 16), ISBN: 978-3-99094-610-7 Open access
Kateryna Schöning, Ein Unikat: D-LEm I.8°191 – eine mitteldeutsche Harfentabulatur aus der Zeit um 1540, Teil I: Beschreibung und Transkription der Tabulatur D-LEm I.8°191, Research portal Schola Cantorum Basiliensis 2026, online, 110p., Open access (in preparation)

Editions

Editions in the E-LAUTE project, online, available from July 2025, PI K. Schoning: https://edition.onb.ac.at/context:elaute

Hans Judenkünig, Ain schone kunstliche underweisung auff der Lautten und Geygen, Vienna 1523, digital edition, ed. by Kateryna Schöning, Cordula Kropik, Henning Burghoff, Irina Döring & project team E-LAUTE, Vienna 2026 (= E-LAUTE: Electronic Linked Annotated Unified Tablature Edition, ed. by project team E-LAUTE, Austrian National Library, Vienna: Release 20.06.2026; URL: https://edition.onb.ac.at/fedora/objects/o:lau.Jud_1523-2/methods/sdef:TEI/get accessed online on 01.07.2026) Open access
Hans Judenkünig, Utilis et compendiaria introductio, Vienna [1523], digital edition, ed. by Kateryna Schöning, Cordula Kropik, Henning Burghoff, Irina Döring & project team E-LAUTE, Vienna 2026 (= E-LAUTE: Electronic Linked Annotated Unified Tablature Edition, ed. by project team E-LAUTE, Austrian National Library, Vienna: Release 20.06.2026; URL: https://edition.onb.ac.at/fedora/objects/o:lau.Jud_151-1/methods/sdef:TEI/get accessed online on 01.07.2026) Open access
Lautenbüchlein des Jakob Thurner, A-Wn Cod. 9704, Vienna c.1520–c.1523, digital edition, ed. by Kateryna Schöning, Cordula Kropik, Henning Burghoff, Irina Döring & project team E-LAUTE, Vienna 2026 (= E-LAUTE: Electronic Linked Annotated Unified Tablature Edition, ed. by project team E-LAUTE, Austrian National Library, Vienna: Release 20.06.2026; URL: https://edition.onb.ac.at/fedora/objects/o:lau.A-Wn_Cod._9704/methods/sdef:TEI/get accessed online on 01.07.2026) Open access
Lautentabulatur des Stephan Craus, A-Wn Mus.Hs. 186888, Vienna 1530s–1540s, digital edition, ed. by Kateryna Schöning, Cordula Kropik, Henning Burghoff, Irina Döring & project team E-LAUTE, Vienna 2026 (= E-LAUTE: Electronic Linked Annotated Unified Tablature Edition, ed. by project team E-LAUTE, Austrian National Library, Vienna: Release 20.06.2026; URL: https://edition.onb.ac.at/fedora/objects/o:lau.A-Wn_Cod._9704/methods/sdef:TEI/get accessed online on 01.07.2026) Open access

Papers

Ailin Arjmand, Tim Crawford, John Griffiths, Grzegorz Joachimiak, Kateryna Schöning, Philippe Vendrix, and David M. Weigl, 'Connecting Tablature', as a result of the first meeting of the LE STUDIUM Research Consortium Tablature and Technology for Tomorrow, together with Centre d'Études Supérieures de la Renaissance (CESR, Tours, Frankreich), International Musicological Society’s Study Group Tablature in Western Music, and the Academic Centre for Digital Musicology (Universität Wrocław), in: Zenodo Plattform (submitted 2026).
* David M. Weigl, Olja Janjuš, Stefan Rosmer, Reinier de Valk, Henning Burghoff, Kateryna Schöning, Ilias Kyriazis, Julia Jaklin, Andreas Rauber, Martina Bürgermeister, Christoph Steindl, and Silas Bischoff, 'Collaborative workflows for encoding, validating, and publishing a multimodal digital edition', in: Proceedings of the 12th International Conference on Digital Libraries for Musicology (DLfM '25). Association for Computing Machinery, New York, NY, USA 2025, p. 95–99 https://doi.org/10.1145/3748336.3748349 Open access
Kateryna Schöning, 'Ist die "Jacobäa-Tabulatur" eine Hoftabulatur von Maria Jacobäa? – Anmerkungen zur Datierung und zum Kontext', as part of a collective contribution: Martin Kirnbauer, Sonja Tröster, Kateryna Schöning, Olja Janjuš, 'Informelle Musikpraxis am Hof Wilhelms IV. und Jacobäas von Baden – eine Spurensuche', in: 1523 / 2023. The Munich Court Chapel at 500. Tradition. Devotion. Representation, ed. by Stefan Gasch, Turnhout: BREPOLS 2025, p. 409–429.
Kateryna Schöning, 'Lautenmusik in Libri amicorum und Stammbüchern des deutschsprachigen Raums im 15. und 16. Jahrhundert – ein interdisziplinärer Erinnerungsmodus', in: Über Stammbücher schreiben. Erschließung und Erforschung von Freundschaftsbüchern (16.–19. Jahrhundert), ed. by Magnus Ulrich Ferber, Philip Haas and Sven Limbeck, Göttingen 2025 (Veröffentlichungen des Niedersächsischen Landesarchivs 8), p. 308–335.
* Kateryna Schöning, Reinier de Valk, David M. Weigl, Ilias Kyriazis, Olja Janjuš, Henning Burghoff and Christoph Steindl, 'A Collaborative Digital Edition of 15th- and 16th-Century German Lute Tablature: The E-LAUTE Project', in: Journal of New Music Research, = JNMR (2025), DOI: 10.1080/09298215.2024.2445593 Open access

Shorter contributions

Paul Hofhaimer, '"Nach wÿllen deÿnn": D-LEm, I. 8° 191, (c. 1540), fols. 21v–22r', in: Tablature. Europe 1300–1750, ed. by John Griffiths, David Dolata, Philippe Vendrix, Turnhout: BREPOLS 2026 https://ricercarlab.cesr.univ-tours.fr/tablature-1300-1750-an-encyclopedia/ (in print).

Documentation published within the framework of the E-LAUTE project:

Kateryna Schöning, Silas Bischoff, Marc Lewon, Irene Holzer, Elias Schedler & project team E-LAUTE, 'E-LAUTE: Editorial conventions (Tablatures, CMN)‘, in: E-LAUTE: Electronic Linked Annotated Unified Tablature Edition, ed. by project team E-LAUTE, Austrian National Library, Vienna: Release 20.07.2025; URL: https://edition.onb.ac.at/fedora/objects/o:lau.red-editionguidelines/datastreams/EDITORIAL_CONVENTIONS_TAB_CMN/content accessed online on 01.07.2026 Open access
Kateryna Schöning, Cordula Kropik & project team E-LAUTE, 'E-LAUTEdb: Database conventions', in: E-LAUTE: Electronic Linked Annotated Unified Tablature Edition, ed. by project team E-LAUTE, Austrian National Library, Vienna: Release 20.07.2025; URL: https://edition.onb.ac.at/fedora/objects/o:lau.red-editionguidelines/datastreams/DB_CONVENTIONS/content accessed online on 01.07.2026 Open access

A complete list of all publications 2003–2026 (* peer reviewed)_______________________________________________________________________________

Books

* Kateryna Schöning, Loci communes und Tabulaturen des 16. Jahrhunderts im deutschsprachigen Raum, ed. by Birgit Lodes, Vienna: Hollitzer 2025 (Wiener Forum für ältere Musikgeschichte 16), ISBN: 978-3-99094-610-7, 841p. Open access
Kateryna Schöning, Ein Unikat: D-LEm I.8°191 – eine mitteldeutsche Harfentabulatur aus der Zeit um 1540, Teil I: Beschreibung und Transkription der Tabulatur D-LEm I.8°191, Research portal Schola Cantorum Basiliensis 2026, online, 110p., Open access (in preparation)
* Shtryfanova (=Schöning) Kateryna, The Lute Fantasia in the 16th Century: The Origins of the Genre, PhD Thesis, Kharkiv I. P. Kotlyarevsky National University of Arts 2007, 207p. (Штрифанoвa Катepинa, Фaнтaзiя для лютнi XVI cтoлiття: cтaнoвлeння жaнpy, диc. кaнд. миcт. / Хapкiвcький дepжaвний yнiвepcитeт миcтeцтв iм. I. П. Кoтляpeвcькoгo, Хapкiв 2007, 207c.).

Editions

Editions in the E-LAUTE project, online, available from July 2025, PI K. Schoning: https://edition.onb.ac.at/context:elaute

Hans Judenkünig, Ain schone kunstliche underweisung auff der Lautten und Geygen, Vienna 1523, digital edition, ed. by Kateryna Schöning, Cordula Kropik, Henning Burghoff, Irina Döring & project team E-LAUTE, Vienna 2026 (= E-LAUTE: Electronic Linked Annotated Unified Tablature Edition, ed. by project team E-LAUTE, Austrian National Library, Vienna: Release 20.06.2026; URL: https://edition.onb.ac.at/fedora/objects/o:lau.Jud_1523-2/methods/sdef:TEI/get accessed online on 01.07.2026) Open access
Hans Judenkünig, Utilis et compendiaria introductio, Vienna [1523], digital edition, ed. by Kateryna Schöning, Cordula Kropik, Henning Burghoff, Irina Döring & project team E-LAUTE, Vienna 2026 (= E-LAUTE: Electronic Linked Annotated Unified Tablature Edition, ed. by project team E-LAUTE, Austrian National Library, Vienna: Release 20.06.2026; URL: https://edition.onb.ac.at/fedora/objects/o:lau.Jud_151-1/methods/sdef:TEI/get accessed online on 01.07.2026) Open access
Lautenbüchlein des Jakob Thurner, A-Wn Cod. 9704, Vienna c.1520–c.1523, digital edition, ed. by Kateryna Schöning, Cordula Kropik, Henning Burghoff, Irina Döring & project team E-LAUTE, Vienna 2026 (= E-LAUTE: Electronic Linked Annotated Unified Tablature Edition, ed. by project team E-LAUTE, Austrian National Library, Vienna: Release 20.06.2026; URL: https://edition.onb.ac.at/fedora/objects/o:lau.A-Wn_Cod._9704/methods/sdef:TEI/get accessed online on 01.07.2026) Open access
Lautentabulatur des Stephan Craus, A-Wn Mus.Hs. 186888, Vienna 1530s–1540s, digital edition, ed. by Kateryna Schöning, Cordula Kropik, Henning Burghoff, Irina Döring & project team E-LAUTE, Vienna 2026 (= E-LAUTE: Electronic Linked Annotated Unified Tablature Edition, ed. by project team E-LAUTE, Austrian National Library, Vienna: Release 20.06.2026; URL: https://edition.onb.ac.at/fedora/objects/o:lau.A-Wn_Cod._9704/methods/sdef:TEI/get accessed online on 01.07.2026) Open access

Co-working by Editing

Musikwissenschaft und Vergangenheitspolitik. Forschung und Lehre im frühen Nachkriegsdeutschland, ed. by Jörg Rothkamm, Thomas Schipperges, in collaboration with Michael Malkiewicz, Christina Richter-Ibanez and Kateryna Schöning, Munich 2015.

Papers

Ailin Arjmand, Tim Crawford, John Griffiths, Grzegorz Joachimiak, Kateryna Schöning, Philippe Vendrix, and David M. Weigl, 'Connecting Tablature', as a result of the first meeting of the LE STUDIUM Research Consortium Tablature and Technology for Tomorrow, together with Centre d'Études Supérieures de la Renaissance (CESR, Tours, Frankreich), International Musicological Society’s Study Group Tablature in Western Music, and the Academic Centre for Digital Musicology (Universität Wrocław), in: Zenodo Plattform (submitted 2026).
* David M. Weigl, Olja Janjuš, Stefan Rosmer, Reinier de Valk, Henning Burghoff, Kateryna Schöning, Ilias Kyriazis, Julia Jaklin, Andreas Rauber, Martina Bürgermeister, Christoph Steindl, and Silas Bischoff, 'Collaborative workflows for encoding, validating, and publishing a multimodal digital edition', in: Proceedings of the 12th International Conference on Digital Libraries for Musicology (DLfM '25). Association for Computing Machinery, New York, NY, USA 2025, p. 95–99 https://doi.org/10.1145/3748336.3748349 Open access
Kateryna Schöning, 'Ist die "Jacobäa-Tabulatur" eine Hoftabulatur von Maria Jacobäa? – Anmerkungen zur Datierung und zum Kontext', as part of a collective contribution: Martin Kirnbauer, Sonja Tröster, Kateryna Schöning, Olja Janjuš, 'Informelle Musikpraxis am Hof Wilhelms IV. und Jacobäas von Baden – eine Spurensuche', in: 1523 / 2023. The Munich Court Chapel at 500. Tradition. Devotion. Representation, ed. by Stefan Gasch, Turnhout: BREPOLS 2025, p. 409–429.
Kateryna Schöning, 'Lautenmusik in Libri amicorum und Stammbüchern des deutschsprachigen Raums im 15. und 16. Jahrhundert – ein interdisziplinärer Erinnerungsmodus', in: Über Stammbücher schreiben. Erschließung und Erforschung von Freundschaftsbüchern (16.–19. Jahrhundert), ed. by Magnus Ulrich Ferber, Philip Haas and Sven Limbeck, Göttingen 2025 (Veröffentlichungen des Niedersächsischen Landesarchivs 8), p. 308–335.
* Kateryna Schöning, Reinier de Valk, David M. Weigl, Ilias Kyriazis, Olja Janjuš, Henning Burghoff and Christoph Steindl, 'A Collaborative Digital Edition of 15th- and 16th-Century German Lute Tablature: The E-LAUTE Project', in: Journal of New Music Research, = JNMR (2025), DOI: 10.1080/09298215.2024.2445593 Open access
* Andrea Puentes-Blanco, Metoda Kokole, Philippe Vendrix, María Gembero-Ustárroz, Rebecca Herissone, Christian Troelsgård, Klemen Grabnar, Birgit Lodes, Kateryna Schöning, Vilena Vrbanić, 'The monumental edition in the digital age: creating a sustainable future', in: Journal of New Music Research, =JNMR (2024), p. 1–13, DOI: https://doi.org/10.1080/09298215.2024.2373998 Open access
* Kateryna Schöning, 'Die einzige überlieferte Renaissance-Harfentabulatur in Deutschland: D-LEm I. 191 (um 1540)', in: Die Musikforschung, 77/1 (2024), p. 1–36 DOI: https://doi.org/10.52412/mf.2024.H1 Open access
Kateryna Schöning, 'Humanistische amicitia in musikdisziplinärem Kontext: Hans Judenkünig Lehrbücher (1523) und ihre Rezeption im 16. Jahrhundert', in: Jahrbuch für Renaissancemusik (troja): Maximilian I. (1459–1519) und Musik. Reale Präsenz vs. virtuelle Kommunikation, ed. by Nicole Schwindt, Vol. 18, [Trossingen] 2021, p. 323–350 Open access
* Kateryna Schöning, 'Italian Practices in German Lute Tablature Manuscripts Around 1500: Practical Script Appearance', in: Early Music, 50/3 (2022), p. 275–296, DOI: https://doi.org/10.1093/em/caac014
* Kateryna Schöning, '"Teaching for the Amicus": Sketches from the Lute Tablature D-Mbs, Mus. ms. 267 Within the Context of the Rhetorical loci communes and compositio', in: Journal of Lute Society of America, =JLSA, LII (2020), p. 50–79, Link ISSN 0076-1524
* Kateryna Schöning, 'Die Lautentabulatur UKR-LVu 1400/I als ein humanistisches Scholarbuch', in: Die Musikforschung, 73/3 (2020), p. 202–234 ISSN 0027-4801 Open access
Kateryna Schöning, 'Bürgerliche Lautenmusik in Schrift und Praxis: Einblicke in Tradition und Überlieferung handschriftlicher Lautentabulaturen im frühen 16. Jahrhundert im süddeutschen Raum', in: Digital Research Platform Musical Life of the Late Middle Ages in the Austrian Region, led by Reinhard Strohm, Marc Lewon and Birgit Lodes (2020) Link
* Kateryna Schöning, '21 Hands for Playing: On a Puzzle from the Lute Tablature UKR-LVu Hs.1400/I', in: Early Music, 47/3 (2019), p. 345–360 DOI: https://doi.org/10.1093/em/caz058
Kateryna Schöning, 'Isaac in Lautenintavolierungen aus handschriftlichen und gedruckten Quellen (ca. 1500–1562): ein Beitrag zur Intavolierungstechnik', in: Henricus Isaac (ca. 1450–1517): Composition – Reception – Interpretation, ed. by Stefan Gasch, Markus Grassl and August V. Rabe, Vienna: Hollitzer 2019 (Wiener Forum für ältere Musikgeschichte 11), p. 305–319 Link
Kateryna Schöning, 'Intavolierung als intertextueller Dialog: Lautenintavolierungen aus der Krakauer Lautentabultur UKR-LVu 1400-I', in: Senfl – Studien 3, ed. by Birgit Lodes, Stefan Gasch and Sonja Tröster, Vienna: Hollitzer 2018 (Wiener Forum für ältere Musikgeschichte 9), p. 55–83 DOI: https://doi.org/10.2307/j.ctvbqs5xf
* Kateryna Schöning, '"Gattung ade!" Methodische Überlegungen zur "freien" Instrumentalmusik des 16. Jahrhunderts', in: Archiv für Musikwissenschaft, 75/1 (2018), p. 14–28 Open access
* Kateryna Schöning, 'Unbekannte genuine Instrumentalsätze aus der Lautentabulatur des Stephan Craus (A-Wn, Mus. Hs. 18688): schriftlos – skizziert – gedruckt', in: Acta Musicologica, 90/1 (2018), p. 1–32 Link
* Kateryna Schöning, '"Der Fall H": Günter Hausswald und die Veränderungen im Fach Musikwissenschaft in der DDR 1949-1956', in: Musikwissenschaft und Vergangenheitspolitik. Forschung und Lehre im frühen Nachkriegsdeutschland, ed. by Jörg Rothkamm and Thomas Schipperges in cooperation with Michael Malkiewicz, Christina Richter-Ibanez and Kateryna Schöning, Munich 2015, p. 381–413 (a revised version of JbUG 2013, see below).
* Kateryna Schöning, 'Vocal basis in the Tientos of Luys Milán and Alonso Mudarra – Myth or Reality?', in: Iberian Early Music Studies, =IEMS, 1 (2015), p. 39–55.
Kateryna Schöning, 'Rationale Strukturen in freien improvisatorischen Instrumentalformen (am Beispiel venezianischer Tokkaten und Intonationen im ausgehenden 16. Jahrhundert)', in: Musiktheorie und Komposition. XII. Jahreskongress der Gesellschaft für Musiktheorie Essen 2012, ed. by Markus Roth and Matthias Schlothfeldt, Hildesheim etc. 2015 (Folkwang Studien 15), p. 316–326 Open access
* Kateryna Schöning, 'Tradition und Innovation in der Modusanwendung in der Instrumentalmusik des 16. Jahrhunderts', in: Die Musikforschung, 67/2 (2014), p. 134–153 Open access
Kateryna Schöning, 'Das Melodram in Russland im ausgehenden 18. Jahrhundert: Giuseppe Sarti Euripides' Alkestis (1790) und Evstignej I. Fomin Orfeo (1791–1792)', in: MUSIKWISSENSCHAFT LEIPZIG. Eine (Quellen)Texte-Sammlung des Zentrums für Musikwissenschaft Leipzig, published online 2020 Open access
Kateryna Schöning, '"Der Fall H.": Günter Hausswald und die Veränderungen im Fach Musikwissenschaft in der DDR 1949-1956', in: Jahrbuch für Universitätsgeschichte, Vol. 16, Stuttgart 2013, p. 111–141.
Kateryna Schöning, 'Lortzings Opern in Russland. Aufführung und Rezeption', in: Lortzing und Leipzig. Musikleben zwischen Öffentlichkeit, Bürgerlichkeit und Privatheit. Bericht über die Internationale Tagung an der Hochschule für Musik und Theater Felix Mendelssohn Bartholdy Leipzig (im Rahmen des vierten Mitgliedertreffens der Albert-Lortzing-Gesellschaft) vom 25. bis 28. Juni 2009, ed. by Thomas Schipperges, Hildesheim, Zürich, New York 2014, p. 385–395 Link (Google Books)
* (here and below under the name Shtryfanova) Kateryna Shtryfanova, 'Das Präludium im deutschsprachigen Raum im 15. und 16. Jahrhundert', in: Die Musikforschung, 64 /4 (2011), p. 335–357 Open access
* Kateryna Shtryfanova, 'Modality and Tonality in the 16th-Century Lute Fantasia', in: Musicological Studies. Theatre. Music. Cinema, ed. by the National Academy of Sciences of Ukraine, M. T. Rylskyi Institute of Art Studies, Folkloristics and Ethnology, Kyiv, 4/28 (2009), p. 7–21 (Original in Ukrainian: "Moдaльнicть тa тoнaльнicть y фaнтaзiї для лютнi XVI cтoлiття" // Студiї Мистeцтвoзнaвчi. Тeaтp. Мyзикa. Kiнo, Вип. 4/28, K.: НAНУ IMФE, 2009, C. 7–21.)
* Kateryna Shtryfanova, 'Kompositorische Strukturen der Lautenfantasie als Gattung in der 1. Hälfte des 16. Jahrhunderts', in: Archiv für Musikwissenschaft, 65 (2008), p. 31–44 Open access
* Kateryna Shtryfanova, 'The Genre of the Fantasia in the Works of Ukrainian Composers in the Late 19th and 20th Centuries', in: Ukrainian Musicology, 34 (2005), p. 146–163 (Original in Ukrainian: "Жaнp фaнтaзiї в твopчocтi yкpaїнcькиx кoмpoзитopiв кiнця XIX–XX cтoлiття" // Укpaїнcькe мyзикoзнaвcтвo, Вип. 34, K.: НAНУ IMФE, 2005, C. 146–163.)
* Kateryna Shtryfanova, 'Compositional Structures of the 16th-Century Lute Fantasia in Comparison with Songs', in: Ukrainian Art Studies: Materials, Research, Reviews, ed. by the National Academy of Sciences of Ukraine, M. T. Rylskyi Institute of Art Studies, Folkloristics and Ethnology, Kyiv, 6 (2005), p. 66–73. (Original in Ukrainian: "Cтpyктypнi ocoбливocтi фaнтaзiї для лютнi XVI cтoлiття y пopiвняннi з жaнpoм cтapoвиннoї пicнi" // Укpaїнcькe миcтeцтвoзнaвcтвo: мaтepiaли, дocлiджeння, peцeнзiї, Вип. 6, K.: НAНУ IMФE, 2005, C. 66–73.)
* Kateryna Shtryfanova, 'Melodic Formulae in the 16th-Century Lute Fantasia', in: Ukrainian Art Studies: Materials, Research, Reviews, ed. by the National Academy of Sciences of Ukraine, M. T. Rylskyi Institute of Art Studies, Folkloristics and Ethnology, Kyiv, 5 (2004), p. 115–120. (Original in Ukrainian: "Фopмyльнi мoтиви y фaнтaзiї для лютнi XVI cтoлiття" // Укpaїнcькe миcтeцтвoзнaвcтвo: мaтepiaли, дocлiджeння, peцeнзiї, Вип. 5, K.: НAНУ IMФE, 2004, C. 115–120.)
Kateryna Shtryfanova, 'The Genre of the Fantasia in the Works of P. I. Tchaikovsky', in: The Reception of Tchaikovsky's Works in the 21st Century: Proceedings of the Kharkiv University of Arts, 14 (2004), p. 183–196 (Original in Ukrainian: "Воплощение жанра фантазии в творчестве П.И. Чайковского" // Спадщина П.І. Чайковського на шляху у XXI століття. Проблеми взаємодії мистецтва, педагогіки та теорії і практики освіти. Зб. наук. пр., Вип. 14., Харків: ХДУМ, 2004, С. 183–196.)
Kateryna Shtryfanova, 'Characteristics of the Early French Lute Fantasia (Based on the Example of Fantasia No. 8 by Alberto de Ripa', in: Hector Berlioz and World Culture: Proceedings of the Kharkiv University of Arts, 12 (2003), p. 55–65. (Original in Ukrainian: "Жaнpoвi ocoбливocтi cтapoвиннoї фpaнцyзькoї фaнтaзiї для лютнi (нa пpиклaдi фaнтaзiї Nr. 8 Aльбepтo дa Piпa, poзшифpoвкa з тaбyлaтypи aвтopки)" // Гeктop Бepлioз тa cвiтoвa кyльтypa. Зб. нayк. пpaць, Вип. 12, Хapкiв: ХДIМ, C. 55–65.)

Documentation published within the framework of the E-LAUTE project:

Kateryna Schöning, Silas Bischoff, Marc Lewon, Irene Holzer, Elias Schedler & project team E-LAUTE, 'E-LAUTE: Editorial conventions (Tablatures, CMN)‘, in: E-LAUTE: Electronic Linked Annotated Unified Tablature Edition, ed. by project team E-LAUTE, Austrian National Library, Vienna: Release 20.07.2025; URL: https://edition.onb.ac.at/fedora/objects/o:lau.red-editionguidelines/datastreams/EDITORIAL_CONVENTIONS_TAB_CMN/content accessed online on 01.07.2026 Open access
Kateryna Schöning, Cordula Kropik & project team E-LAUTE, 'E-LAUTEdb: Database conventions', in: E-LAUTE: Electronic Linked Annotated Unified Tablature Edition, ed. by project team E-LAUTE, Austrian National Library, Vienna: Release 20.07.2025; URL: https://edition.onb.ac.at/fedora/objects/o:lau.red-editionguidelines/datastreams/DB_CONVENTIONS/content accessed online on 01.07.2026 Open access

Reviews

Kateryna Schöning, 'The New Edition of the Tablature of Joannes de Lublin: Tradition and Perspectives', in: Muzyka, 69/3 (2024), p. 145–153 DOI: 10.36744/m.3424 Open access
Kateryna Schöning, 'Tabulaturae Braunsbergenses-Olivenses, ed. Marcin Szelest, Vols. 1–3, Warszawa 2021 (Fontes Musicae in Polonia, C/XXV.1-3)', in: Muzyka I (2022), p. 170–173 Open access

Minor Contributions: Encyclopaedia articles, published abstracts, CD & vinyl liner notes

Paul Hofhaimer, '"Nach wÿllen deÿnn": D-LEm, I. 8° 191, (c. 1540), fols. 21v–22r', in: Tablature. Europe 1300–1750, ed. by John Griffiths, David Dolata, Philippe Vendrix, Turnhout: BREPOLS 2026 Link (in print).
De Valk, R., Schöning, K., Weigl, D. M., Lewis, D., Crawford, T., Lewon, M., Overell, P., '"Ain schone kunstliche Underweisung": Modelling German lute tablature in MEI', in: Encoding Cultures: Joint MEC and TEI Conference 2023, Abstracts (MEC/TEI), 4.9–9.9.2023 Link
Steindl, C., Schöning, K., 'E-LAUTE – die Musik abseits der Noten und die Daten abseits der Musik', in: Digital Humanities im deutschsprachigen Raum (DHd), University Bielefeld, 5.3.–6.3.2025, DOI: https://doi.org/10.5281/zenodo.14887461
Lewis, D., Janjuš, O., De Valk, R., Weigl, D. M., Crawford, T., Overell, P. and Schöning, K., '"Mein vleis und mue": MEI support for lute tablatures', in: Music Encoding Conference (MEC) 2025 Proceedings, London, 3.–5.6.2025, https://music-encoding.org/conference/2025/
'Ukraine', in: Lexikon des Orchesters, ed. by Frank Heidlberger, Gesine Schröder, Christoph Wünsch, Vol. 2, Laaber 2021, p. 569–571.
'Weißrussland', in: ibid., p. 634–636.
'Moldawien', in: ibid., p. 726–727.
'Bulgarien', in: ibid., p. 198–200.
'Tschechien', in: Lexikon des Orchesters, ed. by Frank Heidlberger, Gesine Schröder, Christoph Wünsch, Vol. 2, Laaber 2021, p. 556–558.
'Slowakei', in: ibid., p. 431–432.
Fantasia bellissima. The Lviv Lute Tablature, Bernhard Hofstötter (Lute), Kateryna Schöning (Preface) CD: TXA 18115, 2019
Fantasia bellissima. The Lviv Lute Tablature, Bernhard Hofstötter (Lute), Kateryna Schöning (Preface), SP: TXA 18116, 2019
Ptuschkin Vladimir, Klaviermusik für Kinder, Kateryna Schöning (Preface), Kiev 2003
Ptuschkin Vladimir, Kinderalbum von P.I. Tschaykowski - freie Transkription, Kateryna Schöning (Preface), Kiev 2003
Ptuschkin Vladimir, Romanzen, Kateryna Schöning (Preface), Kiev 2003

Published piano transcriptions and arrangements

Albert Lortzing, Ouvertüre zum Singspiel 'Andreas Hofer', Transkription für zwei Klaviere von Kateryna Schöning, in: Lortzing und Leipzig. Musikleben zwischen Öffentlichkeit, Bürgerlichkeit und Privatheit. Bericht über die Internationale Tagung an der Hochschule für Musik und Theater "Felix Mendelssohn Bartholdy" Leipzig (im Rahmen des vierten Mitgliedertreffens der Albert-Lortzing-Gesellschaft) vom 25. bis 28. Juni 2009, ed. by Thomas Schipperges, Hildesheim, Zürich, New York 2014, p. 477–503.

Individual papers & Workshops

2024/2025

2025_ MEC_London: Lewis, D., Janjuš, O., De Valk, R., Weigl, D. M., Crawford, T., Overell, P. and Schöning K.: ''Mein vleis und mue': MEI support for lute tablatures', in: Music Encoding Conference 2025 Proceedings
2025_ DHd_Bielefeld: Christoph Steindl, Kateryna Schöning, 'E-LAUTE - die Musik abseits der Noten und die Daten abseits der Musik', Digital Humanities im deutschsprachigen Raum, Universität Bielefeld 5.3.-6.3.2025
2024_ IAML_ Stellenbosch: David M. Weigl, Olja Januš, Reinier de Valk, Kateryna Schöning, 'Encoding strategies for notations combining text and music',The 2024 IAML Congress, Stellenbosch, South Africa, 23.6.-28.6.2024
Munich, Ludwig-Maximilian-University & Bayerische Staatsbibiliothek, 18.9.-20.9.2024: E-LAUTE Workshop
Basel, Schola Cantorum Basiliensis / FHNW Basel & Study Group Tablature in Western Music, International Musicology Society (IMS), 10.9.- 13.9.2025: E-LAUTE Workshop & IMS Tablature Group Conferece
Wien (AT): "Loci communes und Tabulaturen des 16. Jahrhunderts im deutschsprachigen Raum”, JOUR FIXE, Research Forum at the Department of Musicology, University of Vienna (18/1/2024)

2023

Tours (FRA): "Digitally editing German lute tablature for the E-LAUTE project: Workflows and first results", Study Group Tablature in Western Music, IMS, with Reinier de Valk, David M. Weigl, CESR Centre d’études supérieures de la Renaissance (2-3/11/2023)
Barcelona (ESP): "About Digital and Hybrid Editions on Example of the ‘Denkmäler der Tonkunst in Österreich'", Meeting of the COST Action 21161 - A new ecosystem of early music studies (EarlyMuse), WG3 ‘Publications’. Meeting on Monumenta editions in Europe, with Prof Birgit Lodes (19-20/9/2023)
München (DE): Roundtable „Informelle Musikpraxis am Hof Wilhelms IV. und Jacobäas von Baden – eine Spurensuche", The Munich Court Chapel at 500: Tradition. Devotion. Representation, with Prof Martin Kirnbauer, Dr Sonja Tröster and Olja Janjuš, München (31/7-2/8/2023)
München (DE): (Poster) "Loci communes and tablatures in the 16th century in the German-speaking area", Medieval and Renaissance Music Conference, München (24-28/7/2023)
München (DE): (Poster) "The edition-project “E-LAUTE: Electronic Linked, Annotated, and Unified Tablature Edition – The lute in the German-Speaking Area 1450–1550", Medieval and Renaissance Music Conference, with Dr Reinier de Valk and Henning Burghoff, München (24-28/7/2023)
Wien (AT): "E-LAUTE, Workshop / Kick-off Meeting", at the Department of Musicology, University of Vienna (3-4/7/2023)
Wolfenbüttel (DE): "Lautentabulatur – Liber amicorum – Stammbuch. Mediale und materielle Ausprägung im 16. Jahrhundert und die Rolle des interdisziplinären Erinnerungsmodus", Stammbücher schreiben. Stand und Perspektiven der Erschließung und Erforschung von Freundschaftsbüchern. Eine Tagung des Niedersächsischen Landesarchivs & der Herzog August Bibliothek in Wolfenbüttel, Wolfenbüttel (22-24/3/2023)
Bayreuth (DE): "E-LAUTE: Electronic Linked, Annotated, and Unified Tablature Editions – Die Laute im deutschsprachigen Raum 1450–1550", Workshop Spätmittelalterliche Lieder – Möglichkeiten und Grenzen der digitalen Edition, University of Bayreuth (14-15/2/2023)
München (DE): "E-LAUTE: Electronic Linked, Annotated, and Unified Tablature Editions", Research colloquium at the LMU Munich, with Dr David M. Weigl (25/1/2023, online)

2022

Basel (CH): „Die einzige überlieferte Renaissance-Harfentabulatur im deutschsprachigen Raum: Praxis und musikkulturelle Kontexte im 16. Jh. D-LEm I. 191 (1530–1540) aus der Sammlung von Carl Ferdinand Becker (1804–1877)“, Davidsharfen (Chromatische) Harfen im deutschsprachigen Raum des 16.–18. Jahrhunderts: Instrumente, Repertoire, Aufführungspraxis, Schola Cantorum Basiliensis (28–30/4/2022)
Leuven (BEL): „Letter Tablatures and Diastematic Thinking in Instrumental Music. Ex Tempore Practice within the Tablature Notation“, New Perspectives in 15th- and 16th-Century Music Notations, Department of Musicology / Alamire Foundation (4–7/5/2022)
Basel (CH): “The new project E-LAUTE: Electronic Linked, Annotated, and Unified Tablature Edition and some results of the ongoing project about tablatures and humanism – ‘Semantics of Maxims and Music in 16th Century Lute Tablatures”, Lute Days in Basel, IMS Tablature in Western Music Study Group Meeting, Schola Cantorum Basiliensis, (14–18/9/2022)
Tübingen (DE): „Mit Lauten ‚von bösen gelüsten kehren‘? – ambivalente Wertung apollinischer Instrumente im Wort, Klang und Bild des 16. Jahrhunderts“, Im Bad wöll wir recht fröhlich sein. Bade- und Kurmusik der frühen Neuzeit, University Tübingen (22–24/9/2022)
Tübingen and Leipzig (DE): „Einblicke in die ukrainische Musik. Мініатюри до української музики“, UniversityTübingen (4/4/2022), Hochschule für Musik und Theater Felix Mendelssohn Bartholdy Leipzig (6/4/2022)
Wien (AT): „Loci communes – Libri amicorum – Tabulaturen im Deutschen Raum des 16. Jahrhunderts“, Research forum COMMON HOUR at the Department of Musicology, University of Vienna (3/3/2022); Respondents: Prof Dr Oliver Huck (University Hamburg) and Prof Dr Cordula Kropik (University Bayreuth, German Studies)
Wien (AT): „Einblicke in die ukrainische Musik. Мініатюри до української музики“, Department of Musicology, University of Vienna (2/5/2022)

2021/2020

Lisboa (PRT): "Motets in the Tablatures 1500 - 1550", Medieval and Renaissance Music International Conference, School of Social Sciences and Humanities of Universidade NOVA de Lisboa, Portugal (5–7/9/2021)
Heidelberg / Mainz (DE): "Die Tabulatur D-LEm I. 191 (1530-1540) aus der Sammlung von Carl Ferdinand Becker (1804–1877): bürgerliche Musikkulturen im Dialog", Musikwissenschaftliches Forschungskolloquium der Institute Heidelberg / Mainz „Musik vor 1600 (26/2/2021)
Wien (AT): "Die Tabulatur D-LEm I. 191 (1530er–1540er)", Research forum COMMON HOUR at the Department of Musicology, University of Vienna (6/3/2020)

2019

Basel (CH): Workshop "Handwritten Tablatures in the 16th Century as Media of Music and Practice Transmission", with Prof Dr Marc Lewon, Schola Cantorum Basiliensis, Basel, Switzerland (16/5/2019)
Tours (FRA): "Humanistic Teaching in the Lute Music about 1550 - Sketches in the Herwarts Manuscript D-Mbs Mus. ms. 267", Notation, Performance Practice & Digital Humanities - Study Group Tablature in Western Music, IMS, CESR Centre d’études supérieures de la Renaissance (11-12/10/2019)
Basel (CH): Paper "Handschriftliche Tabulaturen des 16. Jahrhunderts als Medien der Musik- und Praxis-Überlieferung", Schola Cantorum Basiliensis, Basel, Switzerland (16/5/2019)
Hannover (DE): "Verschriftlichung von Lautenmusik im Reich zur Zeit Maximilians I.", Maximilian I. (1459–1519) und die Musik in Europa: Reale Präsenz versus virtuelle Kommunikation, International Symposium, Herrenhausen Palace, Hannover (12-14/6/2019)
Basel (CH): "The Act of Memory –‚Album Amicorum‘ for the lute (Pl-WRk ms. 352)", Medieval and Renaissance Music International Conference, Schola Cantorum Basiliensis, Basel, Switzerland (3-6/7/2019)
Maria Waldrast/Innsbruck (AT): "Lautentabulaturen und Lautenspieler in der Zeit des Maximilians I.", Tage der Lautenmusik der Österreichischen Lautengesellschaft, Maria Waldrast/Innsbruck (30/5–2/6/2019)
Wien (AT): "Libri Amicorum und handschriftliche Lautentabulaturen um 1550", Research forum COMMON HOUR at the Department of Musicology, University of Vienna (16/1/2019)

2018

Basel (CH): “What do we know about Lute Music in the German Speaking Region in the first half of 16th century? - About the project ’Soloistic Instrumental Music in the Central European Cultural Region (ca. 1500 – ca. 1550)“, Meeting of the Study Group Tablature in Western Music (International Musicological Society), Schola Cantorum Basiliensis, Basel, Switzerland (7/9/2018)
München (DE): “Instrumentalmusik in den handschriftlichen Tabulaturen aus der Sammlung von Hans Heinrich Herwart (1520-1583). Humanistische Bildung und Repertoireüberlieferung im süddeutschen Raum um 1550”, Etlich Liedlein zu singen oder uff der Orgeln und Lauten zu schlagen. Stimmbücher und Tabulaturen aus dem 16. und 17. Jahrhundert in der Bayerischen Staatsbibliothek, Munich (23/3/2018)
Maynooth (IRL): “21 Hands for Playing: On a Puzzle from the Lute Tablature UKR-LVu Hs.1400/I”, Medieval and Renaissance Music International Conference, 5.7. – 8.7.2018 Maynooth University, Ireland (5/7/2018)
Wien (AT): "Presentation of the Project “Freie Instrumentalmusik im 16. Jahrhundert”, Wunderbare Welt der Musikwissenschaft as part of the Open Day at the Department of Musicology, University of Vienna (16/6/2018)
Wien (AT): "Intavolierung und Intavolierungstechniken in der Instrumentalmusik des 16. Jahrhunderts. Intavolierung als intertextueller Dialog”, Research forum COMMON HOUR at the Department of Musicology, University of Vienna (13/6/2018)
Wien (AT): “Projekt ‘Solistische Instrumentalmusik des 16. Jahrhunderts im süddeutschen Kulturraum’ – erste Ergebnisse und weitere Forschungsperspektiven”, JOUR FIXE, Research forum at the Department of Musicology, University of Vienna (25/1/2018)

2017

Lviv (UA): “Lute Tablature UKR-LVu 1400/I as a Lessons Book of Humanist Scholars: intertextual and intercultural analysis of the manuscript”, International Symposium Ex umbra in solem, Haliciana Schola Cantorum, Lviv, Ukraine (2-5/11/2017)
Leipzig (DE): "Skizzen, Skizzen, Skizzen...um 1500? Zum Instrumentalsatz aus dem Tabulaturbuch des Stephan Craus“, Colloquium in honour of Prof Dr Martina Sichardt, Hochschule für Musik und Theater "Felix Mendelssohn Bartholdy", Leipzig (7/1/2017)
Prague (CZE): "Instrumental Settings in the ‚Lautentabulatur des Stephan Craus’ and in ‚Blindhamers Lautentabulatur’ and Their Humanistic Background“, 45th Medieval and Renaissance Music Conferece, Prague, Czech Republic (4-8/7/2017)
Wien (AT): "Isaac in Lautenintavolierungen aus handschriftlichen und gedruckten Quellen (ca. 1500-1562): ein Beitrag zur Intavolierungstechnik“, International conference on the 500th anniversary of the composer's death: Henricus Isaac. Composition – Reception – Interpretation, Department of Musicology, University of Vienna (1-3/7/2017)
Wien (AT): "Handschriftliches Lautenlehrbuch von Stephan Craus im Kontext der österreichisch-italienisch-schlesischen Lehr- und Lernpraktiken in der ersten Hälfte des 16. Jahrhunderts", Conference of the Austrian Society of Musicology, University of Music and Performing Arts Vienna (22-24/11/2017)
Wien (AT): Poster "Solistische Instrumentalmusik im Süddeutschen Kulturregion (ca. 1500-1550)" – Presentation of the project, Conference of the Austrian Society of Musicology, University of Music and Performing Arts Vienna (22-24/11/2017)

2013/2012

"Über die Grenze der gattungstheoretischen und gattungshistorischen Musikforschung", Conference of the Germany Society for Music Research (GfM) 2013, Dresden, Hochschule für Musik Carl Maria von Weber (9/17- 9/21/2013)
"Das russische Lied in der italienischen Oper am russischen Hof um 1800", Lied-Konzepte um 1800, Hochschule für Musik und Theater "Felix Mendelssohn Bartholdy", Leipzig (6/21/2013)
"Rationale Strukturen in freien improvisatorischen Instrumentalformen (am Beispiel venezianischer Tokkaten und Intonationen im ausgehenden 16. Jahrhundert)", Musiktheorie & Komposition, XII. Congress of the German Society for Music Theory (GMTH), Folkwang University of the Arts Essen-Werden (10/5-10/7/2012)
"Das Melodram in Russland: Evstignej I. Fomins Orfeo et Euridice (1792)", Das europäische Melodram im 'langen‘ 19. Jahrhundert, Hochschule für Musik und Theater "Felix Mendelssohn Bartholdy", Leipzig (6/16/2012)
Thomas Schipperges & Kateryna Schöning, "Die Besseler-Schule im musikwissenschaftlichen Kontext nach 1945", Musik im geteilten Deutschland. Die musikästhetischen Schriften im Leipziger Reclam Verlag, Saxon Academy of Arts, Leipzig (6/15/2012)
"Johann Theile, Johann Christoph Altnickol, Johann Peter Kellner und die lutherische 'Missa brevis'", Tage der Mitteldeutschen Barockmusik, Naumburg/Saale (5/4-5/6/2012)
"Musikwissenschaft und Vergangenheitspolitik in der SBZ und frühen DDR: Kontinuitäten und Brüche in der Forschung und Lehre der Musik des 20. Jahrhunderts an der Hochschulen und Universitäten Leipzig, Jena, Weimar (1945-1960)" (Poster), International Symposium Musicology - Post-War Culture - Politics of the Past, Mannheim (1/20-1/21/2012)

2008-2011

"Vocal Basis in the tientos by Luys Milán and Alonso Mudarra - Myth or Reality?", Medieval and Renaissance International Music Conference, Barcelona (7/5-7/8/2011)
"Tokkata, Intonation, Tiento und Präludium - Formen, Gattungen oder freie Improvisationen?" The Report on the Research Project Instrumental Genres from the 14th to the 16th Century, Hochschule für Musik und Theater "Felix Mendelssohn Bartholdy", Leipzig (10/29/2010)
"The toccata of Dalza - a phantom of genre or a model for instrumental improvisation?", Medieval and Renaissance International Music Conference, Royal Holloway University, London (7/5-7/8/2010)
"Lortzing und die deutsche Spieloper in Osteuropa", Conference at the Hochschule für Musik und Theater "Felix Mendelssohn Bartholdy", Leipzig (6/27/2009)
"Orgelpräludien des 15. und 16. Jahrhunderts: eine harmonische Idee oder eine Einleitung ‘in tono'?", Hochschule für Musik und Theater "Felix Mendelssohn Bartholdy", Leipzig (11/28/2008)
"Instrumentalgattungen vom 14. bis zum 16. Jahrhundert: Improvisation - Stil - Gattung" , Alexander von Humboldt Stiftung, Münster (11/18-11/21/2008)
"Zum Gattungskonzept der Fantasie für Laute im 16. Jh.", Hochschule für Musik und Theater "Felix Mendelssohn Bartholdy", Leipzig (10/27/2006)

2005-2006

"Instrumentale Fantasien zeitgenössischer Komponisten aus Charkiw", State I.P. Kotlyarevski University of Arts Kharkiv, Ukraine (3/15-3/17/2006)
"Die Gattung der Fantasie im Schaffen der ukrainischen Komponisten am Ende des XIX. Jahrhunderts und im XX. Jahrhundert", II. National Conference Music Art, National P. I. Tchaikovsky Academy of Music Kiev (12/6-12/8/2005)

Teaching

Digital Humanities & Digital Editions

Digital editions of early music - techniques and research (Vienna, bachelor, summer semester 2024, 2025)
Digital Humanities in Historical Musicology. Questions and perspectives (Vienna, bachelor, summer semester 2023)

Music in Intermedia Contexts

Musical Memories. Music in libra amicorum and Stammbüchern of the 16th and 17th centuries (Vienna, bachelor, winter semester 2024/2025)

Music History until 1700

Music history II (Vienna, bachelor, summer semester 2021)
Musical palaeography (Vienna, bachelor; winter semester 2019/2020, summer semester 2020, winter semester 2020/2021, winter semester 2021/2022, summer semester 2022, 2023)
Dance in the 16th and 17th centuries (Vienna, bachelor, summer semester 2018)
Ricercar 1500-1650 (Vienna, bachelor, winter semester 2017/2018)
Instrumental music in the 16th century (Vienna, bachelor, summer semester 2017)
Source studies on performance practice - from the Middle Ages to the 18th century: Part I - ca. 1300 to 1590 (Leipzig, bachelor and master; winter semester 2015/2016, 2013/2014)
Source studies in performance Practice - from the Middle Ages to the 18th Century: Part II - the 16th and 17th centuries (Leipzig, bachelor and master; summer semester 2016, 2014)
Source studies on performance practice - from the Middle Ages to the 18th century: Part III - the 17th century. (Leipzig, bachelor and master; winter semester 2014/2015)
The Ricercar 1507-1690: the search for musical meaning (Leipzig, bachelor; summer semester 2013)
Writings in the 16th century (Leipzig, bachelor; winter semester 2011/2012)
Canzone - Sinfonia - Sonata in the 16th and 17th centuries (Leipzig, bachelor; summer semester 2011)
Variations from their beginnings to L. Couperin (Leipzig, bachelor; winter semester 2010/2011)
The Suite. From its beginnings to J.S. Bach (Leipzig, bachelor; summer semester 2010)
Vocal and instrumental genres in the 15th/16th century (Leipzig, bachelor; winter semester 2009/2010, summer semester 2009)
Transcriptions of the lute and organ tablatures (Charkiw, bachelor; summer semester 2005)
The song and the madrigal in the XVIth century (Charkiw, bachelor; summer semester 2005)

Music History after 1700

Chopin and salon culture in the 19th century (Vienna, bachelor, summer semester 2019)
Sonata in the 18th century (Vienna, bachelor, summer semester 2019)
Source studies on performance practice - from the Middle Ages to the 18th century: Part IV - the 18th century (Leipzig, bachelor and master; winter semester 2015/2016, 2016/2017)
Music in the East III: Russia (Leipzig, bachelor and master; summer semester 2015)
Music in the East II: Belarus (Leipzig, bachelor and master; winter semester 2014/2015)
Music in the East I: Ukraine (Leipzig, bachelor and master; summer semester 2014)
Vocal cycle in the 19th century (Leipzig, bachelor; summer semester 2012)
Russian instrumental music from Glinka to Rachmaninov (Leipzig, bachelor; winter semester 2010/2011)

Propaedeutic courses:

Music in the current research discourse (Leipzig, master; winter semester 2015/2016, 2016/2017)
Writing about music: Introduction to musicology (Leipzig, bachelor; winter semester 2012/2013)

Music Theory:

Counterpoint (Charkiw, bachelor; winter semester 2007/2008, 2006/2007, 2005/2006)
Form theory (Charkiw, bachelor; winter semester 2007/2008, 2005/2006)

Artistic activities

Piano transcriptions

Albert Lortzing, Overture to Singspiel 'Andreas Hofer' for two pianos, premiere 2009 at HMT Leipzig, published in: Lortzing and Leipzig. Musical life between the public, the bourgeois and the private. Report on the International Conference at the Hochschule für Musik und Theater "Felix Mendelssohn Bartholdy" Leipzig (in the context of the fourth meeting of members of the Albert Lortzing Society), 25-28 June 2009, ed. by Thomas Schipperges, Hildesheim, Zurich, New York 2014, pp. 477-503.
Alfred Schnittke, Concerto grosso No. 1, for two pianos (8 hands), 2003.
Alfred Schnittke, Die toten Seelen, for two pianos (4 hands), 2003
Alfred Schnittke, (K)ein Sommernachtstraum, for two pianos (4 hands), 2003
Andrej Petrov, Concertino Buff, for two pianos (4 hands), 2002
Igor Stravinski, Le Sacre du Printemps (Dance of the Young Girls), for two pianos (4 hands), 2001
Vladimir Zolotukhin, Symphonic Suite Ogon' Elidy, 3rd movement, for two pianos (4 hands), 2002
Vladimir Ptuškin, Variation on the Theme from Henry Purcells Dido and Æneas, for two pianos (4 hands), 2003
Mozart, String quartet in C major, KV 465, 3rd and 4th Parts, for two pianos (4 hands), 2001

Concerts (selected)

since 12/20/2014: J.S. Bach, The Christmas Oratorio, Marienkirche am Dom, Naumburg, Germany (basso continuo, organ)
10/11/2014, Solo concert: Chopin, Rachmaninov, Scriabin and others, Naumburg, Germany (piano)
10/3/2013: J.S. Bach, Mass in B minor, Wenzelskirche, Naumburg, Germany (basso continuo, organ)
3/29/2013: Pergolesi, Stabat mater, Naumburg Cathedral, Naumburg, Germany (basso continuo, organ)
6/26/2010: Dresdner Hofkapelle im 16. Jh., in the context of the Early Music Festival Leipzig, Grassi-Museum Leipzig, Germany (moderation and harpsichord)
2/26/2010: Music for 2 pianos from the 20th century, Leipzig, Germany (piano)
2/2/2010: The Lied and its Instrumental Arrangements in the 16th Century, together with Claudia Nauheim, Bach-Archive Leipzig, Germany (moderation and harpsichord)
5/14/2009: In the Footsteps of the Renaissance: Instrumental Music by Konrad Paumann, Hans Newsidler, Antonio de Cabezón, Josquin des Prés and others, Leipzig, Germany (moderation and harpsichord)
2004-2008: Direction of the student ensemble ALTE MUSIK at the I.-P.Kotlyarevski State University of Arts Kharkiv. The ensemble had regular concert performances in Kharkiv (Kateryna Schöning - moderation and harpsichord).

Repetition (biggest projects)

2012: John Rutter, Magnificat, Naumbuger Domkantorei together with Kantorei St. Michael Jena, Germany.
2013: Mendelssohn, Elias, op.70, Naumburg Cathedral Choir together with the Meissen Cathedral Choir, Germany
2015: Paul McCartney, Leverpool Oratorio, Naumburg Cathedral Choir together with the Meissen Cathedral Choir, Germany